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备注：已完结
类型：剧情片
导演：罗伯托·罗西里尼
语言：其它
年代：未知
简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
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备注：已完结
类型：动漫
主演：马修·麦康纳 瑞茜·威瑟斯彭 塔伦·埃哲顿 斯嘉丽·约翰逊 托瑞·凯利
导演：加斯·詹宁斯
语言：英语
年代：未知
简介：今年年底佳节，照明娱乐全球卖座动画电影系列的全新篇章即将展开，有更伟大的梦想和更多超夯流行金曲。野心勃勃的无尾熊巴斯特穆恩，以及他旗下的全明星动物艺人，即将呈献史上最华丽耀眼的舞台大秀…而且是在绚烂夺目的世界娱乐之都举行。但是有一个难关：他们必须先说服全世界最孤僻的摇滚巨星－由音乐传奇人物波诺首度为动画片献声演出－加入他们的表演行列。 巴斯特（金奖影帝马修麦康纳 配音）以及他旗下的艺人将他的新穆恩剧院，转变成当地最火红的表演场地，但是他现在有一个更大的野心，那就是在光芒万丈的红滩市的克里斯托塔剧院，举办一场全新歌舞大秀的首演会。 完全没有任何娱乐圈的人脉可言，巴斯特和他旗下的艺人－包括总是忧心忡忡的猪妈妈萝希坦（金奖影后瑞丝薇斯朋 配音）、摇滚女豪猪爱希（史嘉蕾乔韩森 配音）、认真努力的大猩猩强尼（泰隆艾格顿 配音）、内向害羞的大象米娜（托蕾凯莉 配音），当然还有爱现猪仔刚特（尼克克罗尔 配音）－必须偷偷溜进由一匹冷血无情的娱乐大亨野狼吉米克里斯托（艾美奖得主巴比卡纳佛 配音）一手打造经营，举世闻名的克里斯托娱乐公司的办公室。 为了得到克里斯托先生的注意被逼到狗急跳牆的刚特，突然灵光一闪，给了巴斯特一个超浮夸的点子，巴斯特也逼不得已採用了这个点子，那就是向克里斯托先生挂保证，他们全新的歌舞大秀将由传奇摇滚狮子歌王柯雷卡洛威（波诺 配音）领衔主演。但问题是，巴斯特从来没见过柯雷，而且这名传奇摇滚歌王早就在十几年前，因为痛失爱妻从音乐界引退，独自隐居了十几年，再也没有人见过他。 当刚特正在帮助巴斯特设计出一场举世无双的舞台歌舞秀经典杰作，来自克里斯托先生的压力（以及可怕的威胁）也越来越大，巴斯特就展开一场寻找传奇摇滚狮子歌王柯雷卡洛威的大冒险，希望能够说服他重返舞台。原本只是巴斯特想要扬名立万的春秋大梦，却转变成一个现代寓言，提醒了每一个人，音乐的力量强大到足以疗癒一颗最悲伤的破碎的心。
